I have always been fascinated by the Civil War and read many books about it for pleasure over the years. Then in 2010 I decided to get serious and undertook a full-length biography of Stonewall Jackson. Four extremely intense years later I published Rebel Yell, and followed it a few years later with Hymns of the Republic, about the war’s final year. So I have spent much of the past decade doing little else but thinking about and writing about the Civil War.
I wrote
Hymns of the Republic: The Story of the Final Year of the American Civil War
This is hands down the best single-volume history of the Civil War. It’s so much more than a “survey” book. I am not quite sure how McPherson does it, but he manages to convey exceptional detail and nuance while sweeping through a gigantic historical landscape. Anyone interested in the Civil War should start with this book.
Now featuring a new Afterword by the author, this handy paperback edition of the Pulitzer Prize-winning Battle Cry of Freedom is without question the definitive one-volume history of the Civil War. James McPherson's fast-paced narrative fully integrates the political, social, and military events that crowded the two decades from the outbreak of one war in Mexico to the ending of another at Appomattox. Packed with drama and analytical insight, the book vividly recounts the momentous episodes that preceded the Civil War including the Dred Scott decision, the Lincoln-Douglas debates, John Brown's raid on Harper's Ferry. From there it moves into…
Blight is one of our best Civil War-era historians and he is at the top of his game here. The book is wonderfully researched and well-told, especially the sections dealing with Douglass’s uneven relationship with Abraham Lincoln. Understanding Douglass’s point of view is key to a full understanding of what the war was about.
"Extraordinary...a great American biography" (The New Yorker) of the most important African-American of the nineteenth century: Frederick Douglass, the escaped slave who became the greatest orator of his day and one of the leading abolitionists and writers of the era.
As a young man Frederick Douglass (1818-1895) escaped from slavery in Baltimore, Maryland. He was fortunate to have been taught to read by his slave owner mistress, and he would go on to become one of the major literary figures of his time. His very existence gave the lie to slave owners: with…
I discovered this book a few years ago while writing my biography of Jackson. The subject is probably the single most dazzling bit of tactical warfare in American history. Its relatively short duration—March through June, 1882—means that Cozzens can go deep, and go deep he does.
One of the most intriguing and storied episodes of the Civil War, the 1862 Shenandoah Valley Campaign has heretofore been related only from the Confederate point of view. Moving seamlessly between tactical details and analysis of strategic significance, Peter Cozzens presents a balanced, comprehensive account of a campaign that has long been romanticized but little understood. He offers new interpretations of the campaign and the reasons for Stonewall Jackson's success, demonstrates instances in which the mythology that has come to shroud the campaign has masked errors on Jackson's part, and provides the first detailed appraisal of Union leadership in the…
This book is the reason I originally became obsessed with the Civil War and the reason millions of other Americans discovered it. Catton was one of the first historians to apply lyrical, poetical writing to the grisly events of the war, and it is the writing that makes his books stand out. He won the Pulitzer with it in 1954. The subject is the war as seen from the point of view of Grant and his Army of the Potomac.
Recounting the final year of the Civil War, this classic volume by Bruce Catton won both the Pulitzer Prize and the National Book Award for excellence in non-fiction.
In this final volume of the Army of the Potomac Trilogy, Catton, America's foremost Civil War historian, takes the reader through the battles of the Wilderness, the Bloody Angle, Cold Harbot, the Crater, and on through the horrible months to one moment at Appomattox. Grant, Meade, Sheridan, and Lee vividly come to life in all their failings and triumphs.
I am normally not a fan of historical fiction (Hilary Mantel’s “Wolf Hall” trilogy excepted), but Shaara’s book is an example of how fiction can convey truth better than nonfiction. The subject here is one of the greatest and most telling in our history: the Battle of Gettysburg. The narrative is generally faithful to conventional histories, but because this is fiction we can see through walls and hear conversations never recorded. It’s a brilliant little book and I do believe it is the “truth” about the battle.
“My favorite historical novel . . . a superb re-creation of the Battle of Gettysburg, but its real importance is its insight into what the war was about, and what it meant.”—James M. McPherson
In the four most bloody and courageous days of our nation’s history, two armies fought for two conflicting dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Bright futures, untested innocence, and pristine beauty…
The fourth and final year of the Civil War offers one of the era's most compelling narratives and one of history's great turning points. Now, Pulitzer Prize finalist S.C. Gwynne breathes new life into the epic battle between Robert E. Lee and Ulysses S. Grant; the advent of 180,000 black soldiers in the Union army; William Tecumseh Sherman's March to the Sea; the rise of Clara Barton; the election of 1864 (which Lincoln nearly lost); the wild and violent guerrilla war in Missouri; and the dramatic final events of the war, including Lee's surrender at Appomattox and the murder of Abraham Lincoln.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
